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Rabu, 06 Januari 2010
Rammstein frontman pierced his cheek for new video
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Serpens by Guido Mocafico
Of Italian descent, Guido Mocafico was born in Switzerland in 1962. A specialist in still life, he works regularly for international magazines such as Numèro, Paris Vogue, Big, The Face, Self-Service, and Wallpaper. He has also undertaken numerous advertising campaigns for Gucci, Yves Saint Laurent, Clinique, Shiseido, and Hermës. Over the past four years, Mocafico has been at work on a personal project related to architecture, and he continues to explore aesthetic and scientific themes in nature. He lives in Paris.
His project, Serpens, is a collection of images using snakes and their natural colours and patterns.
His project, Serpens, is a collection of images using snakes and their natural colours and patterns.


Virtual Suicide Machine 2.0
Liberate your newbie friends with a Web2.0 suicide! This machine lets you delete all your energy sucking social-networking profiles, kill your fake virtual friends, and completely do away with your Web2.0 alterego. The machine is just a metaphor for the website which moddr_ is hosting; the belly of the beast where the web2.0 suicide scripts are maintained.
Our service currently runs with Facebook, Myspace, Twitter and LinkedIn! Commit NOW!
Selasa, 05 Januari 2010
Balloon Monsters
Like the pop artists of the late 20th century, artist Jason Hackenwerth transforms common materials and imagery into something new. Hackenwerth’s material of choice is balloons. He blows up hundreds of balloons and strings them together in unusual forms to create artwork that resembles an array of strange animals, insects or aliens. He has exhibited his work internationally since graduating in 2003. His works are playful and colourful, but like all balloons they slowly deflate over time added another dimension to his work. Hckenwerth now lives in long island city new york.

Minggu, 03 Januari 2010
Facebook as Alibi
Where’s my pancakes, read Rodney Bradford’s Facebook page, in a message typed on Saturday, Oct. 17, at 11:49 a.m., from a computer in his father’s apartment in Harlem.
At the time, the sentence, written in indecipherable street slang, was just another navel-gazing, cryptic Facebook status update — words that were gobbledygook to anyone besides Mr. Bradford.
But when Mr. Bradford, a skinny, short 19-year-old was arrested the next day as a suspect in a robbery, the words took on a level of importance that no one in their wildest dreams — least of all Mr. Bradford — could have imagined. They became his alibi.
His defense lawyer, Robert Reuland, told a Brooklyn assistant district attorney, Lindsay Gerdes, about the Facebook entry, which was made at the time of the robbery. The district attorney subpoenaed Facebook to verify that the status update had actually been typed from a computer located at 71 West 118th Street in Harlem, as Mr. Bradford said. When that was confirmed, the charges were dropped.
“This is the first case that I’m aware of in which a Facebook update has been used as alibi evidence,” said John Browning, a lawyer and member of the Dallas Bar Association who studies social networking and the law. “We are going to see more of that because of how prevalent social networking has become.”
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